checking in? (
checkingin) wrote in
checkingout2015-05-08 12:39 am
Entry tags:
I USED TO DREAM THAT I WOULD MEET A PRINCE
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: May 7th
What: Feed me, Seymour

Where: The initial arrival rooms, the main lobby, all over the place.
When: May 7th
What: Feed me, Seymour

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an richly crackling, rather excessively smoking fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of alice in wonderland will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of chipotle cheese popcorn corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of apple cider mix.
DINING HALL.
is tragically, painfully empty.
OTHER.
the ballroom is currently open, and the grand doors unlocked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard are unlocked.
ROOMS.
EXISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors one and two. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EXISTING GUESTS.
are you dreaming of omlettes and regretting complaining about the constant pancakes and weak ass coffee yet?

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[ oh there are her wits, she found them. she rallies her disbelief into one quick, incredulous, ] You knew?
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This moment is dwarfed, though, by the number. Three. May's words, so not counting her. Not counting Coulson, either, since it's his team. Skye's stomach turns. Her gaze drops. ]
Two.
[ She corrects darkly. ]
Fitzsimmons, May, me, and Coulson. [ She turns to look at the spot in the courtyard where she'd flung him away with her power. The water patters against a flat, undamaged spot of concrete. ]
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[ But she turns and starts inside, close at Natasha's right hand. ]
HYDRA had its coming out party, so did Ward. He was a traitor.
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[ Said with all the unwavering righteousness of someone who took that burn too personally. ]
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Was. Past tense, like maybe he isn't anymore. Like maybe all those promises amounted to something. But Natasha isn't talking about any absolution here. There's no coming back from HYDRA; she knew it from the moment she found Koenig's body. What Fitz struggled to accept, Skye readily had.
Yet she's never felt more monstrous than standing in that courtyard.
Her gaze drops; for a moment, she struggles for words. Sounds come from her throat, she blinks hard, trying to collect herself. Finally, she shoves them out, voice thick with emotion that she wishes she could shut off as easily as May. ] He's alive.
[ And the Black Widow, naturally, views that as a failure. Why shouldn't she? Skye tried to put him down in San Juan. Failed when she got Mike to bring him back the first time, on the Bus. Why was she mired in moral conflict over a few cracked ribs now? Because of the trap she'd laid? Because of what that kind of vengeance, not justice, makes of her? ]
He's here.
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But. But. Ward isn't here in front of her right at that moment (and it's thinking of this that Natasha realizes where else she's heard that name, and it's hardly a flattering character trait for him). Skye, on the other hand, is, and there's some kind of tether there. She doesn't slow her pace down. She's soaking wet and her jeans are starting to chafe. Her voice is soft, when she speaks. ] You two were close?
[ She phrases it like a question, but Natasha already knows the answer. Skye's reaction has already spelled it out for her. Natasha's not asking to be cruel, but she needs more details. She needs to know everything Skye can tell her about Ward. ]
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I am not a good man, Skye.
She should have heard him. It might well be the only honest thing he'd ever said. ]
No.
[ She settles on shaking her head. Whoever she knew, that straight-laced SHIELD agent who needed to learn to laugh, who always wanted to play quarterback, who didn't know how to bromance his way through a security guard? That wasn't Grant Ward. That guy didn't exist. ]
I just thought we were.
[ It's a relenting admission—but none of it was real. People don't love like that. ]
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Has he tried anything since he arrived here?
[ She asks the question as she ducks into the bathroom to grab a pair of towels, one of which she tosses to Skye when she steps out. ]
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[ That one comes out reluctant, like she's wobbling on the edge of completing the sentence. Her eyes flick up towards the ceiling, trying to stomp down her lingering sentiments of guilt. She won't let herself feel guilty for not caring about what happened to him; she won't. He sure as hell didn't care what happened to them when he turned to Garrett.
And yet, wrapping the towel around her hair, she does find herself finishing the sentence. ]
Just me.
[ She's tried plenty. The first time she saw him, and ripped his stitches. Out in the courtyard. Even baiting him into threatening her on the network, so people saw what he really was. ]
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[ A simple shrug, like she doesn't want to make a thing of it. ]
I mean, he said he was trying to help, but. [ But she can't believe it. ] Guess we're even.
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Not mid-this conversation. ]
It's like sometimes, I look at him, and ... I believe it. All the bullshit he feeds us about making amends, promising not to lie again. But mostly, it just makes me wonder what his end game is. Like he must be trying to get something out of us.
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[ Natasha drops her towel and peels off her wet tank top, pulling on a dry one as she turns around to face the other woman. ] Keep that suspicion, unless you truly believe he's redeemable. HYDRA only has one end game, and they'll do anything to get it. He will use your emotions against you. The only way to win is to make him think he's won, and use that to your advantage.
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[ She actually sounds a little surprised with herself, that her five-minute haphazardly collected plan through a breakdown in the bathroom of the Providence base had turned out to be exactly what Black Widow would recommend. She pulls her towel off, dropping it into a pile on the floor and stripping off her shirt. She balls up the fabric and throws it down to the pile too, then holds up her hands for Nat to throw her the clean one.
Without her shirt on, she looks worse. Bruising starts at her knuckles, obvious now, and runs clear up her forearms. It tapers off near her elbows, but there's more of it around her ribcage. Mottled purple and yellow. She winces as her arms go above her head. Broken ribs. Micro-fractures in her forearms. It's bad. So is how visible her collar bone is. Someone hasn't been taking care of herself. ]
When it first happened, I was stuck alone with him at Providence. We were ... [ She rolls her eyes. ] He wanted us to be something, so I let him think we were. It kept me alive, delayed their access to our files, and got me to where Coulson and Hill could extract me. [ She shakes her head, tongue pressing out between her lips. ] I don't wanna do that again.
[ Not only because it made her feel sick to play along with it when she knew the truth about him, but because it was too real. Walking the line of feelings that she genuinely had and using them. It feels like it'd be too easy to get in too deep, to fool herself, like Fitz had fooled himself. ]
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[ Granted, men thinking Natasha is less than she is is how she operates, but she doesn't expect that of everyone. It's difficult to use your own emotions against someone else. Natasha will be the first to admit that. ] So what will you do now?
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I don't know.
[ She pulls on the clean shirt, pulling her hair out of the collar a moment later. ]
Truce, until he makes a move. We've got enough to contest with in here; we don't need to be fighting each other.
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