checking in? (
checkingin) wrote in
checkingout2015-04-05 11:21 am
Entry tags:
- ! arrival,
- alec lightwood,
- cissie king-jones,
- clara oswald,
- clarke griffin,
- clint barton,
- coraline jones,
- darcy lewis,
- harry hart,
- haymitch abernathy,
- helen magnus,
- jace herondale,
- jim kirk,
- kara palamas (agent 33),
- killian jones,
- leo fitz,
- mr. gold,
- neal cassidy,
- peeta mellark,
- peter pettigrew,
- phil coulson,
- robert capa,
- steve rogers,
- tim drake
master of the house, quick to catch your eye (OPEN)
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an empty, ashy fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of the cabinet of dr. caligari will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of caramel corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of hot chocolate mix.
BALLROOM.
the third set of grand doors have been thrown wide to reveal a brightly lit, festively decorated ball room. all across the polished wood floor, all over the tables and chairs around the edge of the room, under the curtains, in the corners, hiding in the shadows, and behind the doors, characters will find:
easter eggs.
plastic easter eggs filled with jellybeans and chocolates, real eggs dip dyed and rolled in glitter; foil wrapped chocolate eggs, sugar eggs with little diaramas in the middle. there will be novelty plastic easter bunny rings sprinkles about, and general little plastic childrens toys. there will be plastic and paper easter basket grass sprinkled all over, and upbeat ambiance music intended to excite.
by the front door will be basket for people to use in their quest to collect the hundreds of eggs scattered all over the room. a sign on the floor invites them to "take one" in curvy handwritted script.
but there's no sign to warn that — some of these eggs?
are going to explode in your face.
( event details. )
OTHER.
the ballroom is currently open, and the grand doors locked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard and breakfast hall are unlocked, food is currently being served. a lot of it is candy.
ROOMS.
EGGSISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors four. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EGGSISTING GUESTS.
happy easter, kids.

EXPLODING EGG TIME IS GO. OTA.
But not today. Cissie's learned to take any potentially pleasant activity the hotel offers and run with it. And today, she will happily act like the teenage girl she appears to be, and start filling that basket with eggs. She's never seen so man, and certainly not this many kinds. It's different, and fun, and the candy is a pleasant change from oatmeal.
Eventually she realizes that her basket is full almost to overflowing, but looking at it, she thinks she can fit a few more in there. It's not like there's a shortage of eggs, or that most of them are even hidden, but she's still enjoying herself. She spots an egg under the corner of a curtain nearby, and leans down to pick it up.
It feels different than the other eggs, but that's about all she has the time to notice as she begins to straighten up. The egg in her hand quite literally explodes as she's holding it. The next thing she knows, she's on the ground.
[ooc: Feel free to run into Cissie before she finds her exploding egg, too! She won't be the first to find one, but she won't have realized others are getting hurt. So she'll be egg hunting for a while, and enjoying herself. Also feel free to find her and fuss at her after. ANYTHING GOES.]
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"Sorry, please, have at it," he gestures to the egg.
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She recovers quickly though, and picks up the egg--and second a few inches away--and offers it to him. "Here. One for you, one for me?"
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He nods at her offer. "That sounds fair to me," he accepts the egg with a grin, putting it in his bag.
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She looks around them and laughs, shaking her head. "You know, I don't think I've ever seen this much candy in one place, either. And I've got a few friends who could definitely pack away the snacks when they wanted to."
...It's sort of a joke. Also partly true, when you're referring to someone with superspeed metabolism, but still.
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"Have you tried it? The candy, I mean."
He doesn't comment on the friends being able to put away candy. In Panem, gluttony really only exists in the Capitol.
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"I tried a chocolate egg earlier; it was pretty good." She pops a jelly bean in her mouth and smiles as she chews, holding out the egg to Peeta. "The jelly beans seem good too. Go ahead."
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"I did pick up a chocolate one and I did like it." He gives her a curious look at the jelly beans. He hasn't tried anything like them back home. He takes one hesitantly, tentatively pops it in his mouth then smiles ever so slightly. "They are good."
LMFAO FUCK IGNORE ME PLEASE
Mostly.
He's not inhuman enough to turn the other way when he finds a girl on the ground, scorched and obviously hurt and it's Cissie, he realizes after a moment. Kneeling down next to her.
"Don't move. Not yet."
WELL DONE MELLY BELLY i saw nothing of course
And then there's someone next to her, and she realizes who it is. Wasn't she just having a really good time? She's not entirely sure at the moment. But it hasn't been so long that she's forgotten her basic first aid, or maybe it's that some instincts don't entirely die away even when you retire from the vigilante life. In any case, she's slowly starting to try to catalog her injuries--her hand hurts, her face hurts, her head hurts--did she hit her head?
She just nods, slowly. "...Yeah. Okay."
i am ashamed
"Okay." Oliver says after a moment, sliding his hand under the back of her neck to help her sit up slowly.
"We need to get these cleaned. But you're going to be fine."
now i am shamed. so late. :c
She might be a little shaky, but she takes a deep breath and tries to sit on her own, to pull away a little. "Right. Yes. Sorry. I'm fine."
...Why did she apologize? She doesn't even know.
LATER. IN RECOVERY.
...Probably by being extra obnoxious to her in recovery, but he's starting out being nice.
He sets her Easter basket down next to her.]
Uh. You dropped this. I put the real eggs in your minifridge because... you know. Gross. But the rest of them are here.
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It's probably shock or something, but she barely notices Tim approaching until he's next to her. Her stomach does a weird little sinking flip at the sight of the basketful of eggs, and she blinks a few times before honing in on the important part of what he said.]
...Did you break into my room?
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I think you mean I saved you from a basket full of rotten eggs. This is where you say "thank you, Tim."
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[So he totally collected eggs for a good long while this morning, and has a massive candy hoard in his room.]
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Yeah. We're okay. [She doesn't quite feel okay yet, but she knows her injuries are relatively mild. For what they could have been. She waves a hand at the basket.] Thanks for thinking of that for me. I... really forgot about it.
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But every so often he says or does something that is so not like her Tim that she can't help comparing them. Being this excited about candy? Is definitely one of those things. She can't help but grin a little and shake her head.] You really like candy, don't you?
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I promised this ages ago, I'm so sorry
Helen doesn't know the girl. Perhaps she's seen her once or twice in the hotel, but that's as far as her recognition goes. At the moment, it hardly matters. She makes her way across the room to where she sits, crouching down in front of her with a friendly smile. Things seem to have finally quieted, and she finally has opportunity to check on the explosion victims she hadn't had a chance to earlier.
"I wanted to make certain you were all right." She takes stock of the young woman's injuries, someone's first aid handiwork, before reaching up a gentle hand. "May I?"
If she allows it, Helen will look over her wounds and make certain there aren't any stubborn bits of shrapnel still embedded in the skin.
no worries!! I've been slow and sick myself c:
Cissie blinks up at her blankly at first, dimly realizing that shock might be setting in. She should probably get up and get out of the ballroom, but that requires moving, which honestly seems like an effort at the moment.
"Um, yes. Sure. I'm fine," she replied, almost automatically, once her brain catches up to her and she realizes what the other woman wants. She offers out her hand, not looking at it herself. She made that mistake before and nearly threw up--the burns throb, she can feel the pain, but it's somehow better when she's not looking at it. She's pretty glad she hasn't made it to a mirror yet; somehow she has a feeling she won't like what she sees when she gets to one.
<33 I swear I'm getting back to things now.
"I very much doubt that." It's said softly, with a kind smile, as Helen gently takes the girl's hand in her own to examine it properly, see if there's anything more she can do for it. "Can you tell me your name? I'm afraid we aren't acquainted."
She's hoping the question will prompt her to focus, keep her from slipping.
<333! no worries ever! I will backtag until the end of time. c:
Or at least, she's with it enough to know she's being spoken to and she should answer her, because not answering would be really rude.
"I'm Cissie. Cissie King-Jones. Um... Sorry, I don't know who you are either...?" Which is to say she recognizes her; she's seen her before, probably at breakfast or in the halls--she's a neighbor. That's right. "Your room's near mine."
Did she say that out loud? There's probably a better way to introduce yourself, but maybe exploding Easter eggs change some of the rules.
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There probably are better ways one can introduce herself, but considering the circumstances, it's more than fine. Helen nods slowly in response before glancing up at her again. "I'm certain we've seen each other in passing. I'm Helen. I'm a doctor, actually."
Hopefully, that at least reassures her she's in good hands.