checking in? (
checkingin) wrote in
checkingout2015-04-05 11:21 am
Entry tags:
- ! arrival,
- alec lightwood,
- cissie king-jones,
- clara oswald,
- clarke griffin,
- clint barton,
- coraline jones,
- darcy lewis,
- harry hart,
- haymitch abernathy,
- helen magnus,
- jace herondale,
- jim kirk,
- kara palamas (agent 33),
- killian jones,
- leo fitz,
- mr. gold,
- neal cassidy,
- peeta mellark,
- peter pettigrew,
- phil coulson,
- robert capa,
- steve rogers,
- tim drake
master of the house, quick to catch your eye (OPEN)
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an empty, ashy fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of the cabinet of dr. caligari will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of caramel corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of hot chocolate mix.
BALLROOM.
the third set of grand doors have been thrown wide to reveal a brightly lit, festively decorated ball room. all across the polished wood floor, all over the tables and chairs around the edge of the room, under the curtains, in the corners, hiding in the shadows, and behind the doors, characters will find:
easter eggs.
plastic easter eggs filled with jellybeans and chocolates, real eggs dip dyed and rolled in glitter; foil wrapped chocolate eggs, sugar eggs with little diaramas in the middle. there will be novelty plastic easter bunny rings sprinkles about, and general little plastic childrens toys. there will be plastic and paper easter basket grass sprinkled all over, and upbeat ambiance music intended to excite.
by the front door will be basket for people to use in their quest to collect the hundreds of eggs scattered all over the room. a sign on the floor invites them to "take one" in curvy handwritted script.
but there's no sign to warn that — some of these eggs?
are going to explode in your face.
( event details. )
OTHER.
the ballroom is currently open, and the grand doors locked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard and breakfast hall are unlocked, food is currently being served. a lot of it is candy.
ROOMS.
EGGSISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors four. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EGGSISTING GUESTS.
happy easter, kids.

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Harry smiles, albeit mostly on the left side of his face. The shrapnel wounds sting, but at least the scratches he arrived with have had the opportunity to heal cleanly before being replaced.
While he's not an especially tactile person, the touch to his arm is much less alien than it would have been before his immersion therapy courtesy of Captain Harkness. He appreciates the intent behind it.
"I'm alright. Just...hoping that I can prevent some further damage being done." He tilts his head. "I rather suspect that asking the other guests to look and not touch would fall on deaf ears."
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"Some of them might surprise you." She's reasonably certain many of their fellow guests are rather suspicious of everything the hotel does, as they should be; but then again, when faced with something new and appealing, who knows how they're likely to react.
She flashes him a small smile, "And perhaps you'll use a bit more caution, yourself, next time?"
As if she has any room to talk.
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"I'll do all I can." Though if it's not a result of his own incaution, it's being actively inflicted on him by the hotel's powers-that-be and overall there's no part of this whole damned mess that seems anything short of inescapable, really.
But that's no excuse for sloppiness. Of course not.
"You've been keeping better than I have, Doctor? Though that's not proving difficult, I realise."
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She does appear to be several times older than most of the hotel's inhabitants, and her work hadn't exactly been the easiest. But this does seem to her more like the hotel's doing. There have been so few explosions compared to the number of eggs that seem perfectly harmless. She isn't certain how they could have been so selective, but then it isn't such a stretch to believe they're constantly being watched.
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Harry hums, amused. "If it is a matter of favouritism, then it's just as well you're the one being favoured," he points out, likewise wry-but-sincere. "You've a much more marketable set of skills."
Though it could just as easily be fortuitous random selection. If not, it seems perfectly rational to him that their hosts would pick out a man who can take a beating to get a beating, while one of their few trained physicians is allowed at least a degree of peace by comparison.
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The truth is, she'd rather suffer herself than see it happen to others. She's handled worse in her time, not to mention she's a little more resilient than your average human.
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It's a trait of hers that he already recognises and appreciates.
"Would that we could both suffer my good fortune, Doctor," he says, the professional respect clear in his tone. "Have you met any of this month's newcomers, yet?"
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If so, their numbers are growing at much too high a rate for her liking.
"I do wonder how long this can continue." In theory, there's a limited amount of space. She wonders how many more might have to be drawn here before they reach capacity.
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"I'm not sure yet." He's encountered a handful but hasn't yet gone exploring the possibility of another new floor having been added to house them.
"The hotel has expanded before, I understand? And the ballroom is newly opened. There may be yet more to be revealed."
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At heart, she's still a scientist. She's seen incredible things, but they've all been relatively easily explained by her understanding of the world. She really doesn't like something she can't explain. And this hotel's already given her quite enough of that.
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"We are rather at a disadvantage, aren't we?" She's understating it, but they both know that by now. "I dislike how little control we seem to have over our own lives."
Which is to say, she's very accustomed to being the one in control, and feeling as though she has absolutely no say in what's going to happen in her own life bothers her far more than she'll ever admit. She's almost certain they're being watched, and closely. Someone's trying to play God, and she doesn't like it.
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"As do I, Doctor, as do I."
Harry's used to being the one in the room who knows more than any other - about the situation, about the people, about what's been happening and what's going to happen. He's used to having the tools to see himself out of even the tightest spots. The ignorance that's been inflicted on him - on all of them - is disconcerting.
He exhales slowly and gestures at his face.
"Would you mind...? I've been looked over by a friend, but it'd be a pain if we'd missed one."
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She's glad he's asked. The doctor and mother in her have been wanting to examine his face properly from the beginning. But she also hadn't wanted to push. She prefers her patients, and her friends, find her presence reassuring rather than overbearing. She's not above insistence where it's warranted, but in this case, she hadn't felt it was necessary.
"I'd say you were lucky. It could have been far worse." Warm fingers frame the side of his face while she gently examines the damage from the shrapnel. "Your friend did a fine job. A lot of experience in this sort of thing?"
It may be subtle fishing. It may also be idle curiosity and a desire to keep the conversation moving while she works.
"I'm afraid it's going to hurt for a while though." And once she's done with his face and neck, she'll gently reach for his hand to have a look at his scorched fingertips. No sense in being less than thorough.
no subject
"Keen first-aider with a bit of a mother hen instinct," Harry says, an assessment he's sure would delight Merlin; he keeps his wrist slack and lets her look at his fingers without complaint. His hands are clean and well-kept, nails short and evidencing a history of professional manicuring, skin free of telltale calluses.
"As for the pain, well. Would it come off as self-pity to say I'm growing used to it? At least my previous scrapes have had the time to heal."
Some silver lining.
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His hands look better than hers, if you discount the damage from the earlier explosion, and somehow it's what she expects, even as much as instinct tells her there's more to Harry Hart than meets the eye. He's too much at ease while dealing with the hotel's games, his reactions too like her own. Of course, he is English, but that goes only so far.
He does fascinate her.
"Small graces." She looks sympathetic though. She knows from experience how it must feel. "You are proving to be one of my better patients."
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"It helps that you're proving to be an excellent physician," Harry says serenely. "And no, not Eggsy. Unfortunately, I've acquired another colleague during this month's intake."
Unfortunate for Merlin. Harry's own response to his friend's arrival is a combination of boundless relief and almost excessive guilt over being so relieved.
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That sympathy takes an entirely different note as she finally releases his hand, her smile one of understanding. "Someone really doesn't like you."
Not that it wouldn't be nice to see someone from home, but no one deserves to be locked in here with them.
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Perhaps they like him, after all.
"Either way, hell of a welcome." First, the hauntings. Now this. And for a man who'd thought he was already dead. She thinks he's rather suffered enough.
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(Though he hasn't the first idea whether his presence was a boon or a burden, at times. Given that he was Eggsy's visitor and his ghost.)
"I regret to say I've had worse. Though that was all rather a long time ago."
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"Violent past?" There's just enough lightness in her tone to make the question seem innocuous, but this time it isn't even a subtle attempt at learning more about him.
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This particular aspect of his cover, he's been fairly free with, if it becomes relevant to a given conversation.
"I'm afraid so - Royal Marines. Not a time in my life I remember especially fondly, but one does learn to thrive in adversity."
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"No, I imagine not. And war isn't something one forgets."
There's no question she's speaking from experience. She's never been an active member of military, for any government, but she's seen combat, been in the middle of it.
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Harry would estimate that Kingsman has been, at least peripherally, involved in every major international engagement since its intelligence arm was founded in 1919. The agents might not see war on the frontlines as soldiers would, but they do see it; each and every one of them, sooner or later. The damage it does, the lives ended or ruined, entire societies mutilated.
"Quite right," he says, sombrely. "Places our own troubles into perspective somewhat, doesn't it."
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