checking in? (
checkingin) wrote in
checkingout2015-04-05 11:21 am
Entry tags:
- ! arrival,
- alec lightwood,
- cissie king-jones,
- clara oswald,
- clarke griffin,
- clint barton,
- coraline jones,
- darcy lewis,
- harry hart,
- haymitch abernathy,
- helen magnus,
- jace herondale,
- jim kirk,
- kara palamas (agent 33),
- killian jones,
- leo fitz,
- mr. gold,
- neal cassidy,
- peeta mellark,
- peter pettigrew,
- phil coulson,
- robert capa,
- steve rogers,
- tim drake
master of the house, quick to catch your eye (OPEN)
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an empty, ashy fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of the cabinet of dr. caligari will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of caramel corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of hot chocolate mix.
BALLROOM.
the third set of grand doors have been thrown wide to reveal a brightly lit, festively decorated ball room. all across the polished wood floor, all over the tables and chairs around the edge of the room, under the curtains, in the corners, hiding in the shadows, and behind the doors, characters will find:
easter eggs.
plastic easter eggs filled with jellybeans and chocolates, real eggs dip dyed and rolled in glitter; foil wrapped chocolate eggs, sugar eggs with little diaramas in the middle. there will be novelty plastic easter bunny rings sprinkles about, and general little plastic childrens toys. there will be plastic and paper easter basket grass sprinkled all over, and upbeat ambiance music intended to excite.
by the front door will be basket for people to use in their quest to collect the hundreds of eggs scattered all over the room. a sign on the floor invites them to "take one" in curvy handwritted script.
but there's no sign to warn that — some of these eggs?
are going to explode in your face.
( event details. )
OTHER.
the ballroom is currently open, and the grand doors locked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard and breakfast hall are unlocked, food is currently being served. a lot of it is candy.
ROOMS.
EGGSISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors four. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EGGSISTING GUESTS.
happy easter, kids.

no subject
It's okay, Skye. It's okay.
no subject
You know, I think I would have preferred this reunion going the other way. Me coming out, not you getting dragged in. Unless this is the part where you tell me a team's been looking for us and you're here to evac.
no subject
Unfortunately, no. I just saw you a few hours ago.
no subject
... What? No. [ She shakes her head, collecting herself quickly after. ] That's impossible; Fitz and I have been stuck in here for two months.
no subject
[the gears in his mind are grinding, trying to work out all the possibilities. He believes her. Which just makes this all the more confusing.]
I need a debrief. Everything you know about this place.
no subject
Hotel California, Sir.
[ But to explain that in depth, she needs to go back to the beginning. ]
Sixty days ago, after the earthquake brought down the temple beneath San Juan, Agent Fitz and I were brought out of the underground city and into this hotel. We realized we didn't even remember anyone pulling us out of the temple, let alone bringing us here.
The more people we talked to—about forty, in that first group—the more obvious it was that they hadn't just picked people up from across the globe. They spanned time, space, multiple universes. Whoever's responsible for this has power, tech, and a lot of resources. Naturally, we pegged HYDRA for it.
no subject
I do too. Seeing Ward here doesn't help.
But we already took out their highest ranking agents. Last night. [a pause] I mean, for me. [he has a feeling he's going to hate this timeline bending stuff]
no subject
[ If her expression is anything to go by, she genuinely seems to believe that failing to take Ward out for good will disappoint Coulson (an extension, perhaps, of her guilt and shame for not being able to pull the trigger on her father, just like she hadn't been able to let Deathlok kill Ward on the Bus). ]
There's more. [ She doesn't want to shift the topic so quickly because the choice reeks of avoiding responsibility for her failure to get the job done, but there's more to brief him on. ] Last month, I hacked the tablet interface to get more information about the intranet they're connected to. While there's no external network to piggyback on to deliver a distress signal, I did notice something weird about the network itself.
Accounting for all the tablets assigned to the people kidnapped along with us, there's still one access point unaccounted for. Someone's keeping tabs on our electronic communications from inside the hotel. If I had to guess, based on where the intranet's origin point is bouncing around, it's probably some kind of sub-basement, below the boiler room or the courtyard.
We haven't found any hard surveillance in the rooms, but that doesn't mean they haven't managed something. Especially given that it seems like they're using us for a series of psychological experiments of some kind, Stanford University style. First, they froze us out, then this month, it was ... [ Tension flickers in her jaw. She nods as she finally spits out, ] Ghosts. They were making us hallucinate, uh, hallucinate people that we've lost.
no subject
So there's a big bad somewhere pulling the strings, running experiments and making our lives miserable.
[a pause]
That makes it really hard not to pin this on HYDRA.
[he lets out a breath]
Good work. Once we're more organized, we can go down to the basement. See if there's a hidden passage.
no subject
Not like I'm glad you're kidnapped or anything, but—
[ It's an important premise to start with. ]
It's really good to have you back.
no subject
[it's not his fault but the sentiment is there]
We'll get out of this somehow. And good work shooting Ward, by the way.
no subject
If this is HYDRA, we are way more out of our league with them than we thought. I mean, we're looking at inter-planar travel. Even Asgard saves that kind of tech for bad days.
no subject
In the meantime, keep your eyes open and be careful who you trust. This could be HYDRA or a new player. Either way, like you said, we're way out of our league. The best we can do now is work with the others who are trapped. Get a system set up. Medical, science, intel, the works.
no subject
[ That seems like an important preface before addressing the progress she has made. ]
But I've already got a few names for medical, and I've been keeping an eye on a few people who seem to know what they're doing in a fight. Raven will probably know more: I'll reach out to her.
no subject
I'll try to reach out through the network in few more days. See how receptive people might be to keeping an unofficial headcount. [there's going to be a lot of work cut out for them. Or at least as much as they can manage]
no subject
[ She glances back towards the stairs and recalls, ] Hey, what room are you in? Fitz and I are 114 and 115. Rogers is first floor too, but not Barnes or Barton.
no subject
that said, he holds up his key while he's processing the information: 110.]
That's quite a list of names. Do Rogers and Barton know about me?
no subject
[ She nods along as she says it like an apology. For a guy who'd been running his mouth about SHIELD, Fitz had been pretty peeved when she mentioned Coulson casually to Rogers. The big secret hadn't occurred to her for even a minute. SHIELD secret, yes. Rebuilding secret, yes. Coulson being alive ... Well. She hadn't known him when he "died," and that was a briefing she'd always been absent for. ]
Fitz ... Told me to back off. That you wanted to say something yourself.
no subject
That's all right. They probably would have found out eventually.
[What with Natasha being a part of the active avengers]
no subject
[ Which she's readily able to admit, at least. She doesn't spend much time on self pity, sounding instead rather casual about the mistake, like perhaps she forgot to buy milk. ]
Anyway. He wanted to know how it happened, so I gave him broad strokes. You might want to fill in the rest for yourself. He wasn't happy, which makes sense because creepy.
no subject
I'll deal with it. [he says in a tone that manages to sound casual and like he's about to undertake something dreadful at the same time] At least he's not the Hulk.
no subject
[ Something's off in her smile. A hesitation, something keeping her from really laughing at the Hulk jokes like she wants to, and it lies just behind her eyes. But she goes through the motions—wry jokes, accompanying eyeroll, loose body language. ]
no subject
Is there something else?
no subject
Just ... really glad to see you, that's all.
no subject
Let's stop by my room. I need to take stock of what's in this suitcase. Then we can figure out what to do with all these easter eggs.
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