checking in? (
checkingin) wrote in
checkingout2015-04-05 11:21 am
Entry tags:
- ! arrival,
- alec lightwood,
- cissie king-jones,
- clara oswald,
- clarke griffin,
- clint barton,
- coraline jones,
- darcy lewis,
- harry hart,
- haymitch abernathy,
- helen magnus,
- jace herondale,
- jim kirk,
- kara palamas (agent 33),
- killian jones,
- leo fitz,
- mr. gold,
- neal cassidy,
- peeta mellark,
- peter pettigrew,
- phil coulson,
- robert capa,
- steve rogers,
- tim drake
master of the house, quick to catch your eye (OPEN)
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

Where: The initial arrival rooms, the main lobby, all over the place.
When: April 5rd
What: Welcome, newbies + happy Easter eggs.

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an empty, ashy fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of the cabinet of dr. caligari will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of caramel corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of hot chocolate mix.
BALLROOM.
the third set of grand doors have been thrown wide to reveal a brightly lit, festively decorated ball room. all across the polished wood floor, all over the tables and chairs around the edge of the room, under the curtains, in the corners, hiding in the shadows, and behind the doors, characters will find:
easter eggs.
plastic easter eggs filled with jellybeans and chocolates, real eggs dip dyed and rolled in glitter; foil wrapped chocolate eggs, sugar eggs with little diaramas in the middle. there will be novelty plastic easter bunny rings sprinkles about, and general little plastic childrens toys. there will be plastic and paper easter basket grass sprinkled all over, and upbeat ambiance music intended to excite.
by the front door will be basket for people to use in their quest to collect the hundreds of eggs scattered all over the room. a sign on the floor invites them to "take one" in curvy handwritted script.
but there's no sign to warn that — some of these eggs?
are going to explode in your face.
( event details. )
OTHER.
the ballroom is currently open, and the grand doors locked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard and breakfast hall are unlocked, food is currently being served. a lot of it is candy.
ROOMS.
EGGSISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors four. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EGGSISTING GUESTS.
happy easter, kids.

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"I appreciate the advice. Though by extension you're asking me to trust you," he says, in good humour.
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It's also the case that Skye and (more briefly) Fitz and Capt. Rogers have made a good first impression. He doesn't know about trust - that's a costly resource in a spy - but he's happy to cooperate.
"If I might tell you a little about the hotel? You've come here with a third monthly cohort of 'guests'. The building seems to expand to house newcomers, or else it reveals space that was previously hidden - the same trick that I assume is used to conceal the corridor we all entered through. We have yet to see the staff, though their presence is felt. Rooms are meticulously housekept, laundry done, and breakfast laid out on a daily basis - unseen."
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"Nothing on the former. But there have been, for lack of a better word, experiments conducted. The first month, I'm told that the temperature was reduced to dangerous levels. The second, we were subjected to two weeks of steadily escalating hallucinations of people we've known and - lost. Seeing ghosts, for lack of a better term."
He gestures to his own shrapnel-pitted face.
"If this is the flavour of the month, so to speak, then we're being let off lightly."
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But what Coulson says is interesting because it gives him the opportunity to fill a gap in his knowledge. Much has been said of SHIELD, in bits and pieces, but what has been only glossed over is--
"HYDRA?"
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"No, I'm just a man with a tablet and a lot of time on his hands. Your colleague Fitz helped me to establish early on that our universes are quite divergent." But then he's curious. "You've had some experience with the concept before this?"
Because he's talking quite lightly about it now.
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There's a flicker of something behind his eyes - a brittleness in the stiff upper lip, a knot of fear under the smooth exterior - that he chooses to show. He's a civilian, after all. Even though the act is coming from somewhere more real than he'd ever care to admit.
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"As well as can be expected, I'd like to hope. This is all outside of my experience, and it has been an extremely long time since I last took an explosive device to the face."
He says it in such a way as to be heard as either completely literal or dryly sarcastic.
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The shoulder-pat is unexpected; it takes a great deal of discipline to stop him tensing up reflexively. Still, the firmity of purpose is appreciated and an encouraging character trait, even though he wonders how much will come of it.
"I do hope so. Although..."
He wavers briefly over a slightly fuller disclosure.
"This may be a one-way trip for some. A number of residents believe their circumstances before arriving here should have proven lethal."
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He frowns at the new revelation though. "We'll just have to find a different solution for them." There is certainly no way he's sending people back to certain doom.
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"Indeed."
And there's little more to be said of that.
"Have you had the chance to get to your assigned room, yet?"
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"Nothing pressing. It's likely that you'll receive a gift from our gracious hosts that you'll either find amusing or irritating, or both. Benign mischief, all things considered. I was given a pair of shoes in a style I don't care for."
Though even that speaks to a level of precision in their knowledge of their guests' internal lives.
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"Wow. Subtle."
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Harry glances down at the content of the case and elects not to touch on the bottle of pills, however-
"Keen motorist, Mr. Coulson?"
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"Chevrolet Corvette - early Sixties? I was rather partial to the Aston Martins of that era," Harry says amiably. He knows he's a terrible cliche but he'll forgive himself the odd private joke. "DB4 Vantage - simply terrific. Outside my pay bracket, sadly."
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