checking in? (
checkingin) wrote in
checkingout2015-05-08 12:39 am
Entry tags:
I USED TO DREAM THAT I WOULD MEET A PRINCE
Who: Everyone!
Where: The initial arrival rooms, the main lobby, all over the place.
When: May 7th
What: Feed me, Seymour

Where: The initial arrival rooms, the main lobby, all over the place.
When: May 7th
What: Feed me, Seymour

ARRIVAL.
you wake up when you hit the floor in a dark room, and the air is knocked out of your lungs. the carpet is threadbare, worn with use, kind of dusty. and you're not the first person to endure this crash landing. nor will you be the last.
once your vision rights itself, you can see the well-lit hallway through the doorjam straight ahead of you. not to say there’s monsters in the shadows, but something propels you towards that door and out into the bright hallway beyond.
and once outside your room, you can hear it: the steady thrum of rain outside.
MAIN LOBBY.
there's a staircase at the end of the lengthy hallway you tumble out of. grab your suitcase and follow the dull green exit signs on the ceiling until you reach the disappointingly bland stairs that lead you down to the ornate old fashion hotel lobby.
to your left is an richly crackling, rather excessively smoking fireplace, to your right is a lobby desk. straight ahead are three large sets of doors, all three of them thrown wide open and welcoming. and outside the few (curtained, permanently dark) windows is the continually steady hiss of rain. once you leave the hallway you wake up in, you won't be able to return.
welcome to the hotel.
FRONT DESK.
though there is a bell and a plaque designating the desk to be the main desk, the customer service desk, there are currently no staff members behind it. none shall answer your calls, either. there is, however, a pad of paper and a pen neatly aligned with the desk edge. you know. for notes.
terribly sorry for the inconvenience.
SCREENING ROOM.
on a long pull-down screen, a silent version of alice in wonderland will be playing on loop. at the back of the room, between the neat rows of fold out chairs, mounted on a wobbly table is the old-timey projector, and mounted on the walls are some rather old speakers that warble out "terrifying" old music.
along the curtained windows is another long table, with a large bowl of chipotle cheese popcorn corn and a large hot drink dispenser full of hot water, with a few cups and some old looking packages of apple cider mix.
DINING HALL.
is tragically, painfully empty.
OTHER.
the ballroom is currently open, and the grand doors unlocked.
there is no main door leading to the outside, good luck trying to find one.
the doors to the courtyard are unlocked.
ROOMS.
EXISTING GUESTS.
you've a room key with your assigned room number on it. all the new guest residences will be located on floors one and two. while there is an open elevator in the main lobby, and the buttons light up inside, the doors will not close. all in all, you'll be better off taking the stairs.
while they're the same stairs you undoubtedly came down to get to the lobby, the door to the endless hall everyone woke up in will not reappear between the main floor and the subsequent residential halls.
there are twenty rooms per floor. feel free to get to know your surroundings; or your neighbors as they trickle in around you.
EXISTING GUESTS.
are you dreaming of omlettes and regretting complaining about the constant pancakes and weak ass coffee yet?

no subject
But he heard the new arrivals and he wanted to at least be a part of the show, so he carried himself down, thinking maybe going outside in the courtyard would be a good idea. The fire was on, at least, which gave his skin a nice warm feeling.
He was so intent on watching the fire that he didn't notice the woman walking. Her entire presence was so confident that he mistook her for a veteran of the hotel, rather than a newcomer. At least until he saw her suitcase. He finally raised his head and looked at her, giving her a nod of greeting. "Lost?" he asked, though he wasn't sure what help he could give her in this state.
no subject
no subject
no subject
no subject
no subject
no subject
no subject
(Which was...the easiest way of putting it. Strictly speaking she'd been on the boat train from Paris to Calais, thence to the ferry and thence London by way of Dover, but that was unnecessary, she felt, to say nothing of the vagaries of Sir Seaton's usual London versus whatever this poor man might know.)
no subject
When he had swallowed what was in his mouth, he was able to speak to her again. "Robert Capa. Mid-twenty first century." He didn't include a place; he didn't think he needed to.
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
"All right. Shall we?"
no subject
He opened the door and shivered, but he wasn't wearing a jacket. The cold was the drug that was keeping him awake when he couldn't pull himself out of bed.
no subject
"Has anyone ever managed to climb out?"
no subject
no subject
She leaned carefully against the jungle gym, trying not to snag her coat on any of the bolts holding it together.
"So what did you do before you wound up here?" she asked. It seemed like the sort of subject of idle conversation she'd probably have a lot of for the foreseeable.
no subject
no subject
"I have to say, that was not any kind of answer I was expecting," she said. "Restart it? That's—" what? "—ambitious," she finally managed.
no subject
"and my answer is rarely what people expect...and that's a good thing."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)